Haiga

Haibun

                                  Daggett Street
         

One fourth of the yard given to vegetables, one fourth to grass and a clothesline, one half to a grape arbor.  Lilies-of-the-valley and jack o’lanterns grow in the shadows. Under the thick vines, pieces of linoleum placed over the hard packed dirt. A rusty metal table and wobbly chairs where Grandma sits shelling peas or mending, Grandpa drinking a glass of wine made from his own grapes.  Me as a toddler, my sister two years older, playing.

                                          muggy heat
                                a sudden awareness
                                  the clock stopped

Early morning trucks rumble up the street.  The Goodyear factory, a cheese processing plant, a paper box company–each with its own pick-ups and drop-offs.  The noise, the smells.  Just part of living on Daggett Street.  There are some benefits:  in summer, a thirsty group of workers always willing to buy lemonade from two little girls; in all seasons, brick factory walls good for tossing balls against.

                                        heavy snow
                                snuggling under a blanket
                                         of silence

The rooms empty, smaller with the furniture gone.  The house in need of paint, the arbor, full of grapes that will not be picked.  The taxi honks and we depart.

                                       autumn colors
                             blurring in a swirl of leaves
                                    all the days to come

Modern Haiku, Autumn 2011

Haiga

Haigaonline, December 2010

Tanka

                                   mowed hay
                                   left to dry in the fields
                                   from green to golden
                                   from thin yielding blades
                                   to tightly rolled bales
Tanka Cafe
Ribbons, Autumn 2012

Haibun

                                            PUB CRAWL

A cold night with a mist.  We walk with quick steps toward the old part of Dublin where there are numerous pubs. We have no particular destination, no special pub to find, just what strikes our fancy.  Along the main shopping area of the old town the pubs are crowded and lively.  Some more so than others.  We pick one, Doheny and Nesbitt, which appears popular.  Every inch of space is occupied, shoulder to shoulder, hip to hip.  No television, no musical sound track.  Just drinks and talk, drinks and talk.   We elbow our way to the bar and get a Guinness.

                                                    middle of the room

                                         wrapped inside a maelstrom
                                                     of voices

The wind is up, blowing off the River Liffey. It is welcome after the stuffiness of the pub.  A brisk walk, trot to our next stop.  A larger pub, O’Donoghue’s, just as closely packed with customers. Standing room only again.  Between the pub and the building next to it is an alley, the smoking room.  Open at either end, covered on top and warmed with large electric heaters the smokers and their non-smoking friends congregate here.  We order a Jameson from a passing waitress and find two empty stools near a heater.

Everything flows–talk and laughter, alcohol and smoke.  And the wind through the alley.  We head back thinking that a two pub crawl is enough, but give in to one more on a side street.    Quieter than the other pubs, with two televisions and space at the bar or in a booth.  We choose a booth and have Irish coffee.  It is clearing when we leave, but much colder.

 
                                                          scudding clouds
                                              across a three quarter moon
                                                          the flashing night
HAIBUN TODAY, Feb. 2012

 

 

 

Haibun

For Hector Combattente

THE NEW WORLD

It is 1908.  He is a boy of 18 with only a few lira, his scissors and thimble in his pocket.  Left behind is a struggling family in a town often layered with the ashes of Vesuvius. He travels in steerage.  Twelve days in the bowels of the ship before docking in Boston harbor.

falling snow—

faces on the gangway

turn upward

From Boston to New York.  A crowded coach train, standing all the way.  The address of his brother securely pinned in the inner pocket of his jacket.

tramping through snow—

one street like another
yet all different

The universal language of craft lands him a job.  Other countrymen with their needles and thread sew together a strong bond.  He settles in, adjusting to the cold, throbbing city.  A city not paved  with gold, but covered with snow and garbage and teaming with the human throng.  He claims a place in a corner of his brother's apartment, in the community of tailors, in the New World.

signs of spring—
tenement buildings
sprout window boxes
 
Stylus Poetry Journal, April 2006

Haiku

                                      October rain
                                      splashing red and gold
                                      on the brick path

                                      breathing
                                      the sharpness of autumn
                                      no words spoken

                                      early morning light
                                      filtered through autumn's trees
                                      your waking smile


Gean, December 2011
The Country and Abroad, September 2007

Pipe Dream, September 2011

Haibun

                             A CHANGE OF SEASON

 

The leaves on the dogwood are the first to show a change.  Just a few leaves at first, and not the entire leaf.  Only the tips as if autumn is testing out shades.  Is this red deep enough?

I'm geared for autumn–wood neatly stacked, woolens all brushed and aired.  My neighbor shares the last of his tomatoes and basil with me, still damp from the late afternoon mist.

 

                               boiling pasta–
                               through an open window
                               steam mixing with fog 

Stylus Poetry Journal, December 2002