Announcement: My new book, ANCIENT HISTORY, haibun and tanka prose , is available on cyberwit.com and Amazon
Monday, December 28, 2015
Haiku
rain and snow
another closet
cleaned today
skeletal trees in deep snow shadow patterns
snowbound
all the bushes
shorter
Bottle Rockets
A Hundred Gourds
South x Southeast
Thursday, December 17, 2015
Haibun
SINGING CHRISTMAS MASS
The first Mass on Christmas at St. Anthony’s Church is at
6:00 a.m. I am 13 years old and sing in
the choir. It is still dark when I
arrive, and the church is not fully lighted, just the vestibule and the choir
loft where we gather for a brief practice.
This first Mass and the last at noon will be high Masses.
the sun in my eyes
singing “Gloria”
from memory
Contemporary Haibun On-line, Sept. 2011
Friday, December 11, 2015
Haiku
today's wind
stripping autumn
to the bone
masons at work
creeping along the stone wall
afternoon fog
heavy fog
the changing shape
of this day
Heron's Nest
Shamrock
Chrysanthemun
Saturday, November 28, 2015
Saturday, November 14, 2015
Haiku
growing in the garden shed
two types of mushrooms
autumn garden
gathering this and that
for a last display
mist and fog
the smeill of November
decomping
Under the Basho, 2014
Frog Pond, summer 2014
Bottle Rockets, 8/2014
Saturday, November 7, 2015
Haibun
PORTRAITS
Next to my wedding photo is one of my mother’s on her
wedding day. The pictures were taken 30
years apart. Comparing my face as it is
now and as it was then, I see the same bone structure, thick eyebrows, a small
indentation in my chin. My now face has
wrinkles around the mouth. My hair is
white and my neck is crinkly. When I
compare the two me’s it is always with a surprised feeling of time, not just
time flying, but never coming back.
Looking at my mother’s picture is less startling. I don’t think of her appearance when she
died. I see her photo every day when she
was young. I imagine knowing her
then. Dark eyes and hair, smooth olive
toned skin, a delicate nose and a mouth showing the tender beginnings of a
smile. A beauty in a Juliet cap and
ivory velvet gown, the smooth fit showing well her slim figure.
stillness
before the midnight bongher face in shadow
Modern Haibun and Tanka Prose, June 2009
Sunday, October 25, 2015
Saturday, October 17, 2015
Haibun
A LANDMARK
For years the empty farm house and out buildings are left to fade into their surroundings. Unpicked corn provides food for birds. The stalks gradually dry up. collapse and blow away. Hay bales soak rain, become moldy, dry out, freeze, soak up more rain and slowly disappear into the soil. It is a familiar part of the scenery, this decaying farm with the crumbling buildings until one day there is nothing but bare acres.
For years the empty farm house and out buildings are left to fade into their surroundings. Unpicked corn provides food for birds. The stalks gradually dry up. collapse and blow away. Hay bales soak rain, become moldy, dry out, freeze, soak up more rain and slowly disappear into the soil. It is a familiar part of the scenery, this decaying farm with the crumbling buildings until one day there is nothing but bare acres.
abandoned farm house
the quiet way it goes
up in flames.A Hundred Gourds, Dec. 2013
Sunday, October 11, 2015
Haiku
death of a friend
more leaves
turning brown
autumn leaves
the puppy switches directions
with the wind
storm clouds part
a spotlight shines
on autumn
Under the Basho, 2014
Presence, May 2005
Cattails, autumn 2014
Sunday, October 4, 2015
Senryu
candlelight stories
with a sip of scotch
escape from the storm
teenage boys in the cafe
bring their own thunder
nervous new editor
sends herself
a reject
Modern Haiku
Muse Apprentice Guild
Moonset
Tuesday, September 22, 2015
Haibun
GRAY
Insomnia is gray. Not the pearl gray
of the buttons on a new spring suit.
There is no iridescence at 2:00am.
No faint hints of pink or powder blue, no lights reflecting off a smooth
polished surface.
It is not the dove gray of a pair of soft, leather gloves. There is nothing pliable or supple at 3:00 a.m. Nor is it the gray of storm clouds, charged with ions and full of power.
The gray at 4:00 a.m. is dull and
dead.
to the glow of the street lamp-
the dance of moths
Insomnia is gravel gray. Dark, uneven, blotchy. A gray mass covered with a dusty film and
course sandy grit. With each move and
turn, the dust lifts and floats inside my head, obscuring thoughts. The grit irritates the soft tissues of the
soul and imbeds itself in the spongy surface of the mind.
hidden lives
in the shadowy night-the cries of insects
The gray swells until it has filled
all the spaces that no candle or incandescent light can dispel. Then…the first, nearly imperceptible tint of
dawn gray, and the gravel gray, suddenly and completely, retreats to a corner
and waits.
repeated bird calls-
lulled to sleep by the
languageof morning
Presence, May 2005
Sunday, September 13, 2015
Friday, September 4, 2015
Tanka
green and orange leaves
the capriciousness
of autumn;
how do I explain
the changes in my life?
in these cool days
it is her shawl I wear–
a vibrant orange
flashing stich after stich
through her flying fingers
Magnapoets, Jan. 2009
Modern Tanka Press, July 2009
Saturday, August 22, 2015
Haibun
It is late dusk. The tall pines are
silhouettes against the fading light in a sky still streaking purple with a
tinge of pink. Soon all color is gone and the first star appears. Star light. Star
bright. What wishes I had as a child. To be a ballerina. A silly wish as there
was no money for ballet lessons. To have a doll house. I did get that wish. Not
the big dollhouse I saw in the department store toy section, but a dollhouse.
My wishes now are different. Health
for family and continued love and security. Perhaps some rain to cool off this
muggy night. And a breeze to chase away the mosquitoes which are not repulsed
by the citronella candles.
crickets and tree frogs
are they singing or wishing
on a star?
Bottle Rockets, summer 2015
Monday, August 10, 2015
Tanka
I choose only vibrant colors
for the garden;
there is no time to languish
in melancholy
I tend my plants
with a mixture of awe
and frustration;
like my poems some grow, some die
and some are weeds I still keep
not quite full dark
my imagination kindled
by silhouettes
the blackness of ancient pines
sparked with fireflies
Bottle Rockets, Feb. 2009
Kernels, April 2013
Magnapoets, summer 2009
Wednesday, July 29, 2015
Haibun
FRAT PARTY
slow dancing
under a full
moonwe call it love
A HUNDRED GOURDS, June 2012
Wednesday, July 22, 2015
Haiku
the carousel horses
in the final stretch
white sheets on the line
slow-motion clouds
in the summer sky
wild roses
the iron trellis
tilts to one side
Presence May 2005
Haiku Harvest, autumn 2005
Heron's Nest, March 2006
Saturday, July 11, 2015
Monday, July 6, 2015
Monday, June 29, 2015
Haiku
spring dawn
with the
returning geese
my mind takes
flight
the freedom to
write
as I please
moonless sky–
the deep night
speaks
with many voices
Shiku Kukai, April 2015Acorn, summer 2015
Presence, winter 2015
Tuesday, June 23, 2015
Haibun
INNISFREE GARDEN
We went back to
Innisfree today. One hundred fifty acres surrounding a lake, sectioned into
"cup gardens". We begin on the path which circles the lake, but
frequently meander up soft grassy slopes or stone steps, pausing at each
vignette. We step over trickling water or cross on a narrow wooden bridge, get
sprayed by mist from a water spout, listen to the gurgle as water splays down
rocks and into a basin.
Butterflies,
bumblebees, dragon flies, humming birds seek out the nectar on Joe Pye weed,
black eyed Susans, goldenrod, and other flowers secreted in between rocks. Tall
grasses bend, swishing lightly, along the lake. Rock plinths and mounds create
shadows and shape my imagination. Lotus and water lilies color one end of the
lake.
small ripples
from a dragonflya pause to rest
air bubbles
breaking through
the lake's surfaceall that lies hidden
A heron poised on a lily pad maintains its
position long after I take its picture. Ferns fill the bogs. We cross a bridge spanning a channel in the
lake and continue on the path, now bulging with tree roots.
uphill walk
the rough path
easesinto the promised view
sultry
heat
cooling
reflectionsin the lake
Friday, June 12, 2015
Haiku
the old town
even now the rough stones
soak up the warmthreaching through the mist
for wild berries
a walk to the beach
the asphalt road changes
to sand
World Haiku Review, Aug. 2005
Simply Haiku, Aug. 2006
Solares Hill, May 2005
Friday, June 5, 2015
Haibun
A TASTE OF HONEY
You
expect to find that your childhood home is older. You also find it smaller. Duller.
The neighborhood is confined, insulated, a world unto itself. You wouldn’t fit in even if it were
ship-shape and clean of graffiti and rusting cars. Even if there were neat plantings in front of
each house and window boxes with flowers and children playing hop-scotch or
roller skating on the sidewalks. Even if
the older folks sat on their front porches on a summer night and gossiped. You
know it would not be your home anymore.
the
taste of honey
dissolving
into
nothing
Tuesday, May 26, 2015
Saturday, May 16, 2015
Haibun
CELEBRATION OF SPRING
Early spring. Time for the cows in the Swiss village to
leave the winter pastures and head for the mountains. We gather at dawn with three other foreign
families for a traditional ceremony. A
blessing from the priest, a prayer, a song.
The cows are adorned with
ribbons, flowers and bells; the cow herder and his young helper with
lederhosen, embroidered suspenders and perky feathered hats.
morning mist–
we follow the scentof slow moving cows
Up into the Jura we drive,
breaking through the fog. La Madame, the
owner of the herd, meets us at her fromagerie in the mountains. The cows disburse in the open pastures. Pigs
shurp their feed in mud-soaked pens. Goats roam freely around the small
sleeping hut and the work buildings.
La Madame, weathered hardened and wiry,
dressed in worn work pants and knee high rubber boots. "Ecoutez. Listen," she tells us.
We lean forward, trying hard
to understand her lesson in cheese making.
bubbling vats of cheese–
a slice of sunlight shines through a high window
We follow her again, now to her chalet a little further up
the mountain. A vista of sweeping
meadows, wildflowers and rock croppings.
Le Monsieur is laying stones for a wall. Before we can eat, there is work. The men
in our party carry stones and level dirt; the women slice bread and carry
wood. In this corner of the Jura
everything is as it was a hundred years earlier. A wood stove, water pumped
from a well, lanterns for light.
We breakfast on
strong coffee with fresh cream, baskets of crusty bread with sweet butter and
the local current jam. Even today, time
does not move.
an invitation
from the warm sun and soft grass—the bugs ignored
Stylus Poetry , Dec. 2005
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Odysse y An elusive floating. I reach out and clasp sunbeams. I move forward, searching for I know not what, yet, understanding...